It astounds and disheartens me to read all the ways that churches insulate themselves from the brokenness of the world, from the evil that persists and the predatory nature of our national culture right now. From “we don’t talk out loud about politics or that kind of thing” to “we are a family church and want our pastor primarily to engage in community activities like little league games” to “our pastor should visit the sick and preach sermons that help us stay close as a congregational community,” the church is hell-bent, perhaps literally if there is a hell, hell-bent on staying clean of the poison dust of exploitative economic practices and the gear-clogging grime of politics-as-usual.
And we think Jesus told us to do this?
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I was walking through the arts-and-crafts store over the weekend, wandering down the upholstery aisle, admiring printed fabrics and wondering if I had anything that needed a facelift. I didn’t. But as I wandered, looking at all the various hardware and interesting devices, my eye fell on pleat hooks. Pleat hooks? you ask quizzically. Or maybe you know. Yes, I answer enthusiastically. Pleat hooks.
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Poverty isn’t a lifestyle.
Lifestyle suggests preference, taste, choice, options. Lifestyle is about whether to buy porcelain or pottery for your everyday dishes; lifestyle is whether to go camping or stay in 4-star B&Bs for vacation. Whether to tailgate at the stadium or hang out in a sports bar – or eschew sports altogether and take up knitting. Lifestyle is about cashing in your split-level ranch and moving to a condo in a high-rise. Downsizing so you can travel more, deciding to move to a city where you can take the train instead of owning a car. Lifestyle is vegetarian or pantheistic or community garden or philanthropic. Lifestyles are subject to change, to whims, to trends.
Lifestyle is voluntary. Even if you prefer picking foods from dumpsters, buying clothes from consignment stores, and bartering for babysitting, if you choose to live this way, this is lifestyle.
Poverty is not a choice.
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Did I ever mention I used to work in a bar? When I was in school, I was a busser and barback at Petticoat Junction in Austin. I mostly enjoyed the work. I met strong and beautiful women, learned to two-step, and was quite entertained by closing-time Patsy Cline impersonations when Philip, the bartender, would stand on the bar and let it loose.
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Lately, I’ve noticed the escalating assault of crafts bearing the name ‘redneck.” Redneck windchime made of beer cans; redneck wineglasses made of mason jars; you get the idea. An entire industry is developing around the use of toothpicks, shotgun cartridges, peanut shells and hub caps.
Maybe it’s just me, and maybe I’m being overly sensitive, but this makes me really uncomfortable.
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This week I read that Chris Dorner, the LA police officer who sought revenge by killing some people, had a manifesto. "Like the Unabomber," wrote the news reporter. Manifestos aren't only about destruction, you know, though they seem to get a bad rap. They can give us focus. They can speak our heart's lovely desires and our life's creative purposes.
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